{"id":31172,"date":"2022-08-24T14:38:17","date_gmt":"2022-08-24T12:38:17","guid":{"rendered":"https:\/\/mesopolhis.fr\/?page_id=31172"},"modified":"2024-03-22T16:10:06","modified_gmt":"2024-03-22T15:10:06","slug":"fifas-amidex-pepiniere","status":"publish","type":"page","link":"https:\/\/mesopolhis.fr\/en\/research\/contract-archives\/fifas-amidex-pepiniere\/","title":{"rendered":"FIFAS . A*Midex Nursery"},"content":{"rendered":"Home<\/a> \u00bbFIFAS . A*Midex Nursery

\n\t\tFIFAS . A*MIDEX Incubator\n\t<\/h2>\n

\n\t\tFrom fiction to science.\n\t<\/h3>\n\t\t\t

Duration: 2018-2022<\/h3>\t\t\n\t\t\t

Financemement: 2017 A*Midex Foundation Incubator of Excellence<\/h3>\t\t\n\t\t\t

Project coordinators<\/h3>

Pierre Fournier<\/strong>, Professor at the University of Aix-Marseille, MESOPOLHIS, pierre.fournier@univ-amu.frPascal Cesaro<\/strong>Senior Lecturer in Film Studies, Prism<\/p>\t\t\n\t\t\t

Partners<\/h3>

Institut national de l'audiovisuel M\u00e9diterran\u00e9e<\/a>Mesopolhis laboratory<\/strong>UMR 7064<\/p>\t\t\n\t

Presentation<\/strong><\/p>\nThe \"From Fiction to Science\" programme was conceived as a space for interdisciplinary research between the social sciences, the arts and the professional world of audiovisual and film archives.
\nIt is based on the shared desire of researchers, artists and professionals to explore and question the possibilities offered by digital technologies for renewing research methodologies involving the use of archives. The aim is to clarify the new possibilities for research using fictional images in ethnographic surveys. The aim is to move on from analysing a research opportunity to formalising an approach that is both methodological (enriching scientific practices) and didactic (creating resources that can be re-used by researchers and doctoral students in other fields). The aim is to encourage synergy with socio-economic players and to propose an economically and legally viable model that can be applied to various scientific fields.\n

The FIFAS programme is being run by the PRISM and LAMES laboratories as part of the A*Midex \u00abP\u00e9pini\u00e8re\u00bb projects, and is an extension of a collaboration between two researchers, one in sociology and the other in film. They began by conducting an experiment to design an ethnographic survey based on archive footage from French television, a 1960s soap opera about the nuclear world. This first phase of research was carried out between 2013 and 2016 as part of the Nucl\u00e9aire et soci\u00e9t\u00e9 locale (NUXOLO) programme, led by LAMES and LESA in a partnership between AMU, CNRS and INA, with funding from the Needs Challenge of the CNRS's Mission \u00e0 l'interdisciplinarit\u00e9. By showing extracts from a soap opera depicting the lives of nuclear workers to people now living near the research and development centre where the fiction is set, we elicited stories from them that help them understand what it means to come and work in this civil and military industry and live nearby. We took advantage of reminiscences provoked by the emotional proximity of these people's experience to one or other aspect of the reality presented in the soap opera, in particular with particularly precise images of the work. And given that it's fiction, the respondents are free to describe them as well-intentioned or fanciful. In this way, the survey system makes it possible to go beyond the abstract representations of the public debate on this controversial subject or the silence behind which people living near nuclear power stations sometimes prefer to hide when they are convinced that they cannot be understood by the people they talk to.<\/p>\n

See more<\/a><\/p>\n\t

Publications<\/strong><\/p>\n

The main publications associated with this research are available here<\/a>.<\/p>\n\t\t\t\tFind out more about the CNRS challenge: NUXOLO - Nuclear power and local society\n\t\t\t\t

Research is coordinated by\u00a0Pierre Fournier<\/a>\u00a0<\/strong>and Pascal Cesaro, researcher at the PRISM laboratory.<\/p>\n

Financing<\/strong><\/p>\n

Contract as part of the\u00a0Nuclear energy, risks and society<\/a>\u00a0<\/strong>the Nuclear, Energy, Environment, Waste and Society Challenge of the CNRS Interdisciplinary Mission<\/p>\n

Publications<\/strong><\/p>\n

The main publications associated with this research are available\u00a0here<\/a><\/strong><\/p>\n

Presentation<\/strong><\/p>\n

By spreading over a limited number of sites, often located in sparsely populated areas, the nuclear industry has marked the sudden conversion of territories to a strange modernity, the meaning of which has not been self-evident and has probably not been unanimously shared at all times by the local populations, whether or not they work in the sector. Over and above the silence that often characterises these populations on the subject in response to requests from interlocutors who are very external to the area, the aim of this research programme is to examine the self-image that is at stake for local populations in their daily confrontation with nuclear energy: the friction with certain people (workers, non-workers, from the site, from far away, moral authorities such as teachers, doctors, or simple neighbours...), the friction with certain experiences (at work, outside, on the occasion of incidents, accidents, intervening on site, on other nuclear sites, faced with the circulation of information, faced with the concealment of others...).<\/p>\n

To do this, we propose to make the most of a happy archive, a soap opera produced for ORTF in the 1960s and depicting the lives of civil nuclear workers in Provence. By showing extracts to people now living near the centre filmed in the soap opera, we hope to encourage them to tell stories that include anecdotes and personal experience of the local development of the nuclear industry. It's a way of going beyond simple abstract representations or the more or less conscious recycling of ready-made discourse on the subject. It may also be a way of taking advantage of reminiscences triggered by the emotional closeness of the respondents' personal experience to one or other aspect of the fictional reality presented in the soap opera.<\/p>\n

This research approach is the subject of complementary work exploring new writing for the social sciences as part of a programme entitled \u00abDe la fiction faire science\u00bb (From fiction to science), supported by Amidex, which has resulted in a\u00a0interactive documentary<\/strong><\/a>\u00a0which can be used for research teaching purposes.<\/p>\n\t

The aim of the FIFAS programme is to examine the conditions under which this innovative research approach, which uses fictional images as part of an ethnographic interview survey, can be replicated to investigate configurations of speech that are prevented by a highly polarised public debate, as in the case of nuclear power.<\/p>\nThe programme includes :
\n- A seminar identifying the heuristic potential of this approach and the problems likely to arise in its implementation, as well as ways of overcoming them, leading to the writing of an issue of the journal Images du travail \/ Travail des images.\n\t\t\t\tFind out more about the \u00abDe la fiction faire science\u00bb seminar: 2018-2019\n\t\t\t\t

What can be done with images in social science research? The seminar\u00a0From fiction to science<\/em>\u00a0: 2018-19<\/h2>\n

\u00a0<\/strong><\/p>\n

Associated with the \u00abFiction as science\u00bb research contract, this seminar identified the heuristic potential of the video-elicitation approach based on fictional images and the problems likely to arise in its implementation, as well as ways of overcoming them. Practical workshops then enabled those involved to get a good feel for the stages of the work to be considered before testing the approach on their object.<\/p>\n

Act 1 - The research seminar<\/strong><\/h3>\n

The seminar sessions ran from January to September 2018.<\/p>\n

\u00a0Session 1 (launch session)<\/strong>\u00a0Presentation of the entire project.<\/p>\n

Reading the article\u00a0\u00abDe la fiction faire science: mobiliser un feuilleton t\u00e9l\u00e9vis\u00e9 des ann\u00e9es 1960 pour parler autrement du travail dans le nucl\u00e9aire\u00bb (From fiction to science: using a 1960s television soap opera to talk differently about work in the nuclear industry)\u00bb<\/a><\/strong>\u00a0completes this session.<\/p>\n

\u00a0Session 2<\/strong>\u00a0The archive as a support for investigation
by interviews on the work, for the researcher as well as for the documentary filmmaker<\/p>\n

\u00a0Session 3<\/strong>\u00a0 Teaching social science research with (fictional) images.<\/p>\n

\u00a0Session 4<\/strong>\u00a0: Rights surrounding television and film (fiction) archives<\/p>\n

\u00a0Session 5<\/strong>\u00a0The \u00abtransformative work\u00bb: an additional challenge?<\/p>\n

\u00a0Session 6<\/strong>\u00a0The video-elicitation approach using fiction to test new themes and new archives.<\/p>\n

Session 7<\/strong>\u00a0La d\u00e9marche de vid\u00e9o-elicitation \u00e0 partir de fictions \u00e0 l'\u00e9preuve de nouveaux th\u00e8mes et de nouvelles archives (2e).<\/p>\n

\u00a0<\/h3>\n

Act 2 - Two days of capitalisation<\/strong><\/h3>\n

Session 28 March 2019: Video praise as a way out of situations where speech is prevented.<\/p>\n

Session 5 June 2019: When science makes its cinema: what links between film and research?<\/p>\n

Act 3 - The video-delivery workshop<\/strong><\/h3>\n

Venue: Ina M\u00e9diterran\u00e9e delegation (Marseille, rue Guibal) Dates: 11 and 26 September 2019 Speakers: Sophie Gillery (INA), Mireille Maurice (INA), Pascal Cesaro (AMU), and\u00a0Pierre Fournier<\/a>\u00a0(AMU)<\/p>\n

Summary: This workshop, designed in collaboration with the INA, gave researchers who had shown an interest in experimenting with video elicitation the opportunity to try it out on their own research subjects, using fictional, news, amateur or self-shot images. The aim will be to examine \u00abgood practice\u00bb in the re-use of audiovisual archives when setting up a video-elicitation system in the social sciences. The aim is not to propose a model that needs to be exactly replicated, but rather to help everyone to think about an adaptation that could be useful for their research by incorporating their specific characteristics.<\/p>\n

The workshop took place in two stages at INA's premises in Marseille. The first stage took place on 11 September and focused on the conditions and constraints of image re-use, with participants experimenting with this methodology by building up a personal corpus of a few archives (using INA indexing tools or other types of images). The second stage took place on 26 September, and involved thinking about the logic of reassembling images from the selected material and discussing viewing methods with the interviewees in order to involve them as fully as possible in the research.\u00a0<\/p>\n

Contacts<\/strong>\u00a0:\u00a0Pascal Cesaro (Prism)<\/a>,\u00a0Pierre Fournier (Mesopolhis)<\/a><\/strong><\/p>\n\t

- The construction of an interactive documentary to encourage and support researchers in this direction, based on the example of research using the soap opera Les Atomistes. The specifications became clearer as the initial seminar progressed.<\/p>\n\t\t\t\tFind out more about the interactive documentary\n\t\t\t\t

Why and how to conduct interviews based on fictional images? An interactive documentary as a guide<\/h2>\n

Research experience (see\u00a0supra<\/em>\u00a0Nuxolo) led Pierre Fournier to conduct biographical interviews in sociology, starting them off in a special way: by viewing images from a television drama, chosen and edited with the help of Pascal Cesaro, a film researcher at PRISM. As part of the complementary contract\u00a0From fiction to science<\/em>, This research, which was extensively filmed during its deployment, was analysed in order to reflect on the conditions for its replication on other subjects presenting the same type of speech issues made difficult by the polarisation of the public debate. This was an opportunity to think about how to present it in an interactive setting that would be suitable for a variety of audiences. We see the research kitchens, a researcher experimenting with respondents from different social backgrounds, reflecting on the system he is trying to use, exchanging views with other researchers on the subject, trying to present his research to the respondents he has met, etc.<\/p>\n

From fiction to science<\/strong><\/em><\/a>.\u00a0A video-elicitation experiment to get out of a situation where speech is prevented.<\/em><\/p>\n

The interactive documentary is hosted by the HumaNum platform. Access is restricted to the higher education and research community. If you have any problems logging in, please do not hesitate to contact us:<\/p>\n

Pascal Cesaro<\/a>a lecturer in cinema at Aix-Marseille University,\u00a0\u00a0Pierre Fournier<\/a>Professor of Sociology at Aix-Marseille University.<\/p>\n

\u00a0<\/h5>\n
\n
From research to education?<\/h5>\n

At a time when confinement was required to combat the COVID 19 pandemic, when lecturer-researchers could only work remotely with their students, without being able to interact with them as directly as usual, and when some were seeking to renew their pedagogical uses of digital technology, Pascal Cesaro and Pierre Fournier came up with the idea of unblocking access to this resource, which could perhaps be of use to those involved in teaching the practice of enquiry in the social sciences. It wasn't designed with this in mind (it's not a MOOC!) but it can be \u00abhijacked\u00bb quite easily. This\u00a0written presentation<\/a><\/strong>\u00a0helps you get to grips with it.<\/p>\n\t

- These practical workshops were designed to give those involved a clear idea of the work to be done before testing the approach on their object. They were also used to fine-tune the interactive documentary.<\/p>","protected":false},"excerpt":{"rendered":"

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