{"id":38985,"date":"2026-01-12T13:36:34","date_gmt":"2026-01-12T12:36:34","guid":{"rendered":"https:\/\/mesopolhis.fr\/blog\/events\/seminaire-metiss-2026-arts-based-methods-justice-epistemique-et-techniques-du-collage-dans-lenquete\/"},"modified":"2026-01-27T10:02:04","modified_gmt":"2026-01-27T09:02:04","slug":"metiss-2026-arts-based-methods-seminar-epistemic-justice-and-collage-techniques-in-the-study-of-art","status":"publish","type":"ajde_events","link":"https:\/\/mesopolhis.fr\/en\/blog\/events\/metiss-2026-arts-based-methods-seminar-epistemic-justice-and-collage-techniques-in-the-study-of-art\/","title":{"rendered":"METISS 2026 seminar, session 1: \u00abArts based methods\u00bb.\u00bb"},"content":{"rendered":"\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\"><strong><strong>Quelques mots sur le s\u00e9minaire annuel \u00ab MEthodes cr\u00e9aTIves dans la recherche en Sciences humaines et Sociales \u00bb (METISS) :<\/strong><\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"446\" src=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-1024x446.jpg\" alt=\"\" class=\"wp-image-38530\" style=\"width:760px;height:auto\" srcset=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-1024x446.jpg 1024w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-300x131.jpg 300w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-768x335.jpg 768w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-1536x669.jpg 1536w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-2048x892.jpg 2048w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-18x8.jpg 18w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2025\/08\/Metiss-Logo-1320x575.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>En septembre 2024, se constituait le collectif METISS \u00ab MEthodes cr\u00e9aTIves dans la recherche en Sciences humaines et SocialeS \u00bb affili\u00e9 \u00e0 trois unit\u00e9s : le MESOPOLHIS , l\u2019IREMAM et l\u2019URMIS. Depuis septembre 2025, il compte d\u00e9sormais une quatri\u00e8me unit\u00e9, le LPED. <\/strong>Interdisciplinaire, associant ing\u00e9nieurs d\u2019appui \u00e0 la recherche, chercheur.es et enseignant.es chercheur.es, son ambition est de partager une culture de l\u2019enqu\u00eate allant au-del\u00e0 de la pratique de l\u2019entretien et de l\u2019analyse textuelle en recourant tant\u00f4t \u00e0 la photographie, la recherche par l\u2019\u00e9coute et l\u2019immersion sonore, la cartographie sensible ou alternative, la bande dessin\u00e9e et les fanzines, la pratique des arts du spectacle. Ces modalit\u00e9s d\u2019enqu\u00eate qui s\u2019articulent en partie aux pratiques artistiques t\u00e9moignent en m\u00eame temps qu\u2019elles y participent, d\u2019un tournant cr\u00e9atif mais \u00e9galement d\u2019un tournant r\u00e9flexif et \u00e9thique dans les recherches en sciences humaines et sociales. Que font ces m\u00e9thodes \u00e0 l\u2019enqu\u00eate et plus largement \u00e0 la production de savoirs ? Quelles relations permettent-elles de tisser avec les individus qui sont au centre de nos recherches ? Quelles perspectives ouvrent-elles par rapport \u00e0 des d\u00e9marches plus classiques ? Quels en sont les limites, zones d\u2019ombres et points d\u2019achoppements ?<\/p>\n\n\n\n<p>Les rencontre de METISS reposent sur une volont\u00e9 commune de questionner les \u00ab coulisses \u00bb de la recherche, sans que cela se r\u00e9duise \u00e0 la mise en avant d\u2019anecdotes ou \u00e0 la description de recettes toutes faites ou applicables \u00e0 n\u2019importe quelle situation ou contexte. En r\u00e9ponse \u00e0 ces questions initiales, les rencontres de METISS constituent<strong> un lieu d\u2019\u00e9change et de r\u00e9flexions autour de m\u00e9thodologies, de croisements de pratiques entre chercheur.es issu.es de diff\u00e9rentes disciplines et artistes, mais aussi des r\u00e9flexions \u00e9thiques et \u00e9pist\u00e9mologiques<\/strong>. Une autre originalit\u00e9 de ces rencontres est de permettre des moments de respiration et de dialogue en laissant du temps aux participant.es pour exposer leur d\u00e9marche et parler d\u2019une enqu\u00eate termin\u00e9e ou en train de se faire.<\/p>\n\n\n\n<p>Pour son \u00e9dition 2025-2026, les rencontres du METISS articuleront <strong>des s\u00e9ances pl\u00e9ni\u00e8res<\/strong> (demi-journ\u00e9e ou journ\u00e9e d\u2019\u00e9tude) \u00e0 <strong>des ateliers d\u2019initiation m\u00e9thodologique et des ateliers r\u00e9flexifs<\/strong>.<\/p>\n\n\n\n<p>Certaines s\u00e9ances sont organis\u00e9es en collaboration avec l\u2019axe 2 \u00ab Migrations, mobilit\u00e9s, circulations \u00bb du MESOPOLHIS (<a href=\"https:\/\/mesopolhis.fr\/recherche\/axe-2-migrations-mobilites-circulations\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/mesopolhis.fr\/recherche\/axe-2-migrations-mobilites-circulations\/<\/mark><\/a>), d\u2019autres en partenariat avec le s\u00e9minaire MERs \u00ab \u00c9critures Sensibles et Recherche sur les Migrations \u00bb d\u00e9di\u00e9 \u00e0 l\u2019exploration des pratiques cr\u00e9atives dans l\u2019\u00e9tude des ph\u00e9nom\u00e8nes migratoires, lui-m\u00eame h\u00e9berg\u00e9 par le Centre Norbert Elias (Marseille), <a href=\"https:\/\/mimed.hypotheses.org\/4719\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/mimed.hypotheses.org\/4719<\/mark><\/a>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Comit\u00e9 d\u2019organisation<\/u>&nbsp;:<\/strong><\/h4>\n\n\n\n<p><strong><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/tricot-anne\/\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Anne Tricot<\/mark><\/a><\/strong>, g\u00e9ographe et ing\u00e9nieure (Phd) m\u00e9thodes au CNRS &#8211; MESOPOLHIS.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.urmis.fr\/membres\/andrieu\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Sarah Andrieu<\/mark><\/a><\/strong>, anthropologue et enseignante-chercheure UniCA &#8211; URMIS.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.iremam.mmsh.fr\/fr\/parizot-cedric\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">C\u00e9dric Parizot<\/mark><\/a><\/strong>, anthropologue et directeur de recherche au CNRS &#8211; IREMAM.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Membres actifs<\/u>&nbsp;:<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sarah Andrieu, anthropologue et enseignante-chercheure UniCA &#8211; URMIS Nice.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bing.com\/ck\/a?!&amp;&amp;p=eee3ace1acc0c795493ba966b2050461c4fc3b7df3438a7ede45fb8400172ae7JmltdHM9MTc2ODQzNTIwMA&amp;ptn=3&amp;ver=2&amp;hsh=4&amp;fclid=22b59569-eca8-62d3-1865-83cbed6763e2&amp;psq=Sa%c3%afd+Belguidoum&amp;u=a1aHR0cHM6Ly9pcmVtYW0ubW1zaC5mci9mci9iZWxndWlkb3VtLXNhaWQ\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Sa\u00efd Belguidoum<\/mark><\/a>, sociologue et enseignant chercheur \u00e0 Aix-Marseille-Universit\u00e9 &#8211; IREMAM.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/bertrand-jean-baptiste\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Jean-Baptiste Bertrand<\/mark><\/a>, statisticien et ing\u00e9nieur CNRS au MESOPOLHIS.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.ceped.org\/fr\/les-anciens-du-ceped\/anciens-membres-statutaires\/article\/kabbanji-lama\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Lama Kabbanji<\/mark><\/a>, d\u00e9mographe et chercheure \u00e0 l\u2019IRD &#8211; LPED.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/buslacchi-maria-elena\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Maria-Elena Buslacchi<\/mark><\/a>, sociologue et chercheure post-doctorante au MESOPOLHIS, Observatoire des publics et des pratiques de la culture.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/chamahian-aline\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Aline Chamahian<\/mark><\/a>, sociologue et ma\u00eetresse de conf\u00e9rences \u00e0 Aix-Marseille Universit\u00e9 et chercheure au MESOPOLHIS.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/chiousse-sylvie\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Sylvie Chiousse<\/mark><\/a>, socio-anthropologue (Phd) et charg\u00e9e d\u2019\u00e9dition au MESOPOLHIS.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/de-gourcy-constance\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Constance de Gourcy<\/mark><\/a>,&nbsp;sociologue et ma\u00eetresse de Conf\u00e9rences HDR \u00e0 Aix-Marseille Universit\u00e9 et chercheure au MESOPOLHIS.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bing.com\/ck\/a?!&amp;&amp;p=d4d1ff4671140619c513c6abebfc11db72031eb77c0760a3df85a2e88eb9a64bJmltdHM9MTc2ODQzNTIwMA&amp;ptn=3&amp;ver=2&amp;hsh=4&amp;fclid=22b59569-eca8-62d3-1865-83cbed6763e2&amp;psq=Francesca+Sirna+URMIS&amp;u=a1aHR0cHM6Ly93d3cudXJtaXMuZnIvZW4vbWVtYnJlcy9zaXJuYS8\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">Francesca Sirna<\/mark><\/a>, sociologue et chercheure au CNRS &#8211; URMIS.<\/li>\n\n\n\n<li><a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/ullauri-llore-elisa\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-fl-accent-color\">Elisa Ullauri Llore<\/mark><\/a>, sociologue et chercheure post-doctorante au MESOPOLHIS, Observatoire des publics et des pratiques de la culture.<\/li>\n\n\n\n<li>C\u00e9dric Parizot, anthropologue et directeur de recherche au CNRS &#8211; IREMAM.<\/li>\n\n\n\n<li>Anne Tricot, g\u00e9ographe et ing\u00e9nieure (Phd) m\u00e9thodes qualitatives au CNRS &#8211; MESOPOLHIS.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><u>Informations pratiques<\/u>&nbsp;:<\/strong><\/h4>\n\n\n\n<p>Les s\u00e9ances de METISS se d\u00e9roulent \u00e0 <strong>Aix-en-Provence <\/strong>(MMHS, CUBE) et <strong>Marseille <\/strong>(Mus\u00e9e d\u2019histoire de Marseille, Vieille Charit\u00e9). Le format des rencontres (except\u00e9es les ateliers d\u2019initiation m\u00e9thodologique en pr\u00e9sentiel) est aussi en <strong>mode hybride<\/strong>. <strong>L\u2019inscription est gratuite mais obligatoire.<\/strong><\/p>\n\n\n\n<p>\u26a0 Pour s\u2019inscrire et obtenir le lien en visio, veuillez contacter&nbsp;: Anne Tricot (<mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">anne.tricot[at]univ-amu.fr<\/mark>) et\/ou Sylvie Chiousse (<mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">sylvie.chiousse[at]univ-amu.fr<\/mark>).<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\"><strong>Jeudi 29 janvier 2026 | 14h &#8211; 17h | Mmsh, salle <s>Germaine Tillion<\/s> PAF + visio<\/strong><\/h2>\n\n\n\n<p>Au cours de cette s\u00e9ance nous aurons le plaisir d\u2019accueillir&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Melissa Moralli, <\/strong>sociologue et ma\u00eetresse de conf\u00e9rences au D\u00e9partement de Sociologie et Droit de l\u2019\u00c9conomie de l\u2019Universit\u00e9 de Bologne et chercheuse associ\u00e9e au MESOPOLHIS (Aix-Marseille Universit\u00e9). Elle est \u00e9galement <em>visiting scholar<\/em> au CRISES (Centre de Recherche sur les Innovations Sociales, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al), \u00e0 l\u2019IPK (Institute for Public Knowledge, New York University), \u00e0 CRISES Redefined (Universit\u00e9 de Jyv\u00e4skyl\u00e4, Finlande) ainsi qu\u2019au MUCEM (Mus\u00e9e des Civilisations de l\u2019Europe et de la M\u00e9diterran\u00e9e, Marseille). Ses int\u00e9r\u00eats de recherche portent sur les migrations, la justice socio-environnementale et les m\u00e9thodes cr\u00e9atives. Elle est investigatrice principale des projets de recherche internationaux <em>Collaborative Imaginaries on Territories in Change across Europe et Imaginaires Migratoires<\/em>. Elle est \u00e9galement chercheuse dans plusieurs projets europ\u00e9ens et collabore avec le Campus Antropoceno America Latina. Elle a dirig\u00e9 la <em>Elgar Encyclopedia of Global Migration: New Mobilities and Artivism<\/em> (Londres, 2025).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Micol Pizzolati,<\/strong> sociologue et professeure associ\u00e9e de sociologie \u00e0 l\u2019Universit\u00e9 de Bergame, au D\u00e9partement de Lettres, Philosophie, Communication, elle est co-curatrice du Creative Methods Open Lab, un groupe de recherche interdisciplinaire qui accueille des chercheur\u00b7ses invit\u00e9\u00b7es et soutient des processus collaboratifs d\u2019enqu\u00eate et d\u2019exp\u00e9rimentation. Ses travaux r\u00e9cents portent sur les exp\u00e9riences personnelles et collectives du care et sur les repr\u00e9sentations des transitions biographiques. Elle explore, dans leurs dimensions \u00e9thiques et proc\u00e9durales, des approches visuelles et narratives telles que le body mapping storytelling, le collage, le dessin narratif, le memory work, le digital storytelling et l\u2019identity box, qu\u2019elle mobilise \u00e9galement dans son enseignement universitaire.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Programme&nbsp;d\u00e9taill\u00e9 :<\/strong><\/h4>\n\n\n\n<p>13h45 \u2013 14h00&nbsp;: Accueil des participant.es<\/p>\n\n\n\n<p>14h00&nbsp;: <strong>Anne Tricot<\/strong>, g\u00e9ographe et ing\u00e9nieure m\u00e9thodes qualitatives au CNRS, introduction du s\u00e9minaire METISS<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-1024x683.jpg\" alt=\"\" class=\"wp-image-39004\" style=\"aspect-ratio:1.4992888417882142;width:408px;height:auto\" srcset=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-1024x683.jpg 1024w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-300x200.jpg 300w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-768x512.jpg 768w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-1536x1024.jpg 1536w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-2048x1365.jpg 2048w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-18x12.jpg 18w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/20490427232301_IMG_0401-1-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Cr\u00e9dit photo : Melissa Moralli<\/figcaption><\/figure>\n<\/div>\n\n\n<p>14h00 14h45&nbsp;: <strong>Melissa Moralli<\/strong>, sociologue et ma\u00eetresse de conf\u00e9rences au D\u00e9partement de Sociologie et Droit de l\u2019\u00c9conomie de l\u2019Universit\u00e9 de Bologne et chercheuse associ\u00e9e au Mesopolhis (Aix-Marseille Universit\u00e9).<\/p>\n\n\n\n<p><strong>Titre de son intervention : <em>D\u00e9coloniser le langage en recherche sociale&nbsp;? Artivisme, m\u00e9thodes cr\u00e9atives et justice \u00e9pist\u00e9mique<\/em><\/strong><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9&nbsp;<\/strong>:&nbsp;<br>Cette communication s\u2019ouvre par une r\u00e9flexion sur l\u2019artivisme en tant que pratique esth\u00e9tique de subversion, capable de d\u00e9voiler les m\u00e9canismes de la colonialit\u00e9 du savoir et de perturber les cadres interpr\u00e9tatifs qui d\u00e9finissent ce qui peut \u00eatre vu, nomm\u00e9 et reconnu comme connaissance l\u00e9gitime. En particulier, en s\u2019appuyant sur des recherches men\u00e9es autour des migrations et des injustices socio-environnementales, la pr\u00e9sentation analyse si et comment l\u2019artivisme peut agir comme un espace contre-h\u00e9g\u00e9monique o\u00f9 se reconfigurent langage, repr\u00e9sentations et imaginaires politiques. Dans un second moment, la communication se concentre sur les m\u00e9thodes cr\u00e9atives utilis\u00e9es en recherche sociale. Si ces approches ouvrent des espaces de co-cr\u00e9ation susceptibles de valoriser des savoirs marginalis\u00e9s, elles n\u00e9cessitent \u00e9galement un regard critique. Les m\u00e9thodes cr\u00e9atives ne dissolvent pas automatiquement les hi\u00e9rarchies entre expert\u00b7es et participant\u00b7es ; elles peuvent m\u00eame reproduire des logiques d\u2019extraction cognitive si elles ne sont pas accompagn\u00e9es d\u2019une vigilance \u00e9pist\u00e9mique. \u00c0 travers cette lecture crois\u00e9e de l\u2019artivisme et des m\u00e9thodes cr\u00e9atives, la pr\u00e9sentation montrera comment ces pratiques peuvent soutenir, mais aussi mettre \u00e0 l\u2019\u00e9preuve, la construction de partenariats \u00e9pist\u00e9miques et l\u2019\u00e9mergence d\u2019imaginaires alternatifs face aux d\u00e9fis socio-\u00e9cologiques contemporains.<\/p>\n\n\n\n<p>14h45 \u2013 15h00&nbsp;: discussion par <strong>Sarah Andrieu<\/strong>, anthropologue, enseignante chercheuse \u00e0 l\u2019URMIS -Universit\u00e9 de Nice.<\/p>\n\n\n\n<p>15h00 \u2013 15h30&nbsp;: discussion avec la salle<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>15h30 &#8211; 16h15&nbsp;: <strong>Micol Pizzolati<\/strong>, sociologue et professeure associ\u00e9e de sociologie \u00e0 l\u2019Universit\u00e9 de Bergame, au D\u00e9partement de Lettres, Philosophie, Communication.<\/p>\n\n\n\n<p><strong>Titre de son intervention : \u00ab&nbsp;<em>Chercher dans les \u00e9clats : le collage pour voir autrement<\/em>&nbsp;\u00bb<\/strong><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9&nbsp;:<\/strong><br>La pr\u00e9sentation propose d\u2019aborder le collage comme mani\u00e8re de chercher \u00e0 partir d\u2019\u00e9clats : fragments visuels, mots, traces sensibles. \u00c0 partir des collages pr\u00e9par\u00e9s en amont par les participant.es (voir ci-dessous*), nous ouvrirons une r\u00e9flexion sur ce que ces assemblages font voir, sur les d\u00e9placements qu\u2019ils permettent et sur la mani\u00e8re dont ils peuvent nourrir les questions de recherche. Nous prendrons \u00e9galement le temps de consid\u00e9rer les gestes, les choix et les attentions \u00e9thiques li\u00e9s \u00e0 la collecte, \u00e0 la s\u00e9lection et \u00e0 la mise en forme de mat\u00e9riaux visuels. Ces \u00e9changes permettront de d\u00e9gager des pistes et des enseignements sur le potentiel du collage en tant que m\u00e9thode pour la recherche sociale : une pratique qui accueille les fragments, rend visibles des relations inattendues et soutient d\u2019autres fa\u00e7ons de penser tant les exp\u00e9riences que les \u00e9motions.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316-768x1024.jpg\" alt=\"\" class=\"wp-image-39006\" style=\"width:313px;height:auto\" srcset=\"https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316-768x1024.jpg 768w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316-225x300.jpg 225w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316-1152x1536.jpg 1152w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316-9x12.jpg 9w, https:\/\/mesopolhis.fr\/wp-content\/uploads\/2026\/01\/ef49be3f-8534-4dec-803b-13babf8e1316.jpg 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Cr\u00e9dit photo : Micol&nbsp;Pizzolati<\/figcaption><\/figure>\n<\/div>\n\n\n<p>*La consigne adress\u00e9e aux participants (<strong>sur inscription pr\u00e9alable<\/strong>) de cet \u00e9change avec Micol Pizzolati&nbsp;:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Dans le cadre du s\u00e9minaire, je vous invite \u00e0 pr\u00e9parer un collage sur papier en amont de la rencontre, \u00e0 partir de ce qui traverse, en ce moment, votre travail de recherche.&nbsp;Le collage peut \u00eatre r\u00e9alis\u00e9 librement, en ajoutant \u00e9ventuellement de petits mat\u00e9riaux \u00e0 des d\u00e9coupages de toute provenance. Un simple format A4 convient tr\u00e8s bien, mais d\u2019autres formats sont \u00e9galement possibles si vous le souhaitez.&nbsp;Je vous demande d\u2019apporter le collage au s\u00e9minaire sous forme mat\u00e9rielle, si possible.<\/p>\n<\/blockquote>\n\n\n\n<p>16h15-16h30&nbsp;: discussion par <a href=\"https:\/\/mesopolhis.fr\/blog\/membres\/haquet-appoline\/\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\"><strong>Appoline Haquet<\/strong><\/mark><\/a>, sociologue et doctorante au MESOPOLHIS.<\/p>\n\n\n\n<p>16h30-17h00&nbsp;: discussion avec la salle.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Bibliographie en lien avec la s\u00e9ance :<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Melissa Moralli., Introduction to the Elgar Encyclopedia of GlobalMigration : New Mobilities and Artivism dans Laura Oaso, Natalia Ribas-Mateos, and Melissa Moralli &#8211; 9781035300389Downloaded from <a href=\"https:\/\/www.elgaronline.com\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/www.elgaronline.com<\/mark><\/a><\/li>\n\n\n\n<li>Melissa Moralli, Arts-Based Methods in Migration Research, A Methodological Analysis on Participatory, Visual Methods and Their Transformative Potentials and Limits in Studying Human Mobility, <a href=\"https:\/\/journals.sagepub.com\/doi\/10.1177\/16094069241254008?icid=int.sj-abstract.citing-articles.7\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/journals.sagepub.com\/doi\/10.1177\/16094069241254008?icid=int.sj-abstract.citing-articles.7<\/mark><\/a><\/li>\n\n\n\n<li>Melissa Moralli, Research as care : Positionality and reflexivity in qualitative migration research, <a href=\"https:\/\/journals.sagepub.com\/doi\/abs\/10.1177\/14687941231176946\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/journals.sagepub.com\/doi\/abs\/10.1177\/14687941231176946<\/mark><\/a><\/li>\n\n\n\n<li>Pizzolati&nbsp;M., Giorgi A. (2026, en preparation),&nbsp;Suspended Time, Reconfigured Futures: Artists\u2019 Emotional Narratives in Collage-Based Interviews, in&nbsp;S.&nbsp;Aboim, A.&nbsp;Hil\u00e1rio, C.&nbsp;Pussetti, V.&nbsp;Ferreira&nbsp;(eds),&nbsp;<em>Vulnerabilities across the Life Course: transitions and crises<\/em>, Spinger<\/li>\n\n\n\n<li>Pizzolati, M. (2025). Collage and migration, in&nbsp;L. Oso, N.&nbsp;Ribas-Mateos,&nbsp;in M.&nbsp;Moralli&nbsp;(eds)&nbsp;Elgar Encyclopedia of Global Migration,&nbsp;Edward Elgar Publishing,&nbsp;pp. 129-132<\/li>\n\n\n\n<li>Pizzolati, M. (2021). <em>Creativi e collaborativi<\/em>. <em>Racconto digitale, teatro partecipativo e collage come metodi per lo studio delle esperienze biografiche di migrazione<\/em>.&nbsp;Polis,&nbsp;36(3), 467-480.<\/li>\n\n\n\n<li>Giorgi, A., Pizzolati, M., &amp; Vacchelli, E. (2021).&nbsp;<em>Metodi creativi per la ricerca sociale. Contesto, pratiche e strumenti,&nbsp;il Mulino.&nbsp;&#8211;&nbsp;chapitre&nbsp;V. Artefatti: fare cose con le mani<\/em><\/li>\n\n\n\n<li>Pizzolati M. (2025),&nbsp;A Truly wonderful origami fox: Collage-making around \u2018The story of animals and me\u2019 to explore how a research question can be felt through,&nbsp;in&nbsp;Nind, M., Shanks, R., Lee, Y. and Edson Ferrie, J. (eds) Sparking \u2018aha\u2019 moments: A resource for teaching research methods. National Centre for Research Methods.&nbsp;Sparking \u2018aha\u2019 moments: A resource for teaching research methods, <a href=\"https:\/\/eprints.soton.ac.uk\/507343\/1\/Sparking_Aha_Moments.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#f2f2f2\" class=\"has-inline-color has-fl-accent-color\">https:\/\/eprints.soton.ac.uk\/507343\/1\/Sparking_Aha_Moments.pdf<\/mark><\/a><br>&nbsp;<\/li>\n<\/ul>\n","protected":false},"author":343,"featured_media":39006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"tags":[384,59],"event_type":[3],"event_type_2":[399],"class_list":["post-38985","ajde_events","type-ajde_events","status-publish","has-post-thumbnail","hentry","tag-384","tag-a-la-une","event_location-mmsh-salle-paf","event_type-autres","event_type_2-metiss"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>S\u00e9minaire METISS 2026, s\u00e9ance 1 : \u00ab Les Arts based methods \u00bb - Mesopolhis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mesopolhis.fr\/en\/blog\/events\/metiss-2026-arts-based-methods-seminar-epistemic-justice-and-collage-techniques-in-the-study-of-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S\u00e9minaire METISS 2026, s\u00e9ance 1 : \u00ab Les Arts based methods \u00bb - Mesopolhis\" \/>\n<meta property=\"og:description\" content=\"Quelques mots sur le s\u00e9minaire annuel \u00ab MEthodes cr\u00e9aTIves dans la recherche en Sciences humaines et Sociales \u00bb (METISS) : En septembre 2024, se constituait le collectif METISS \u00ab MEthodes cr\u00e9aTIves dans la recherche en Sciences humaines et SocialeS \u00bb affili\u00e9 \u00e0 trois unit\u00e9s : le MESOPOLHIS , l\u2019IREMAM et l\u2019URMIS. 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